Three works based on loud speakers used by South Korea to broadcast propaganda, from political messaging to K-Pop, into North Korea along the demilitarised zone that runs between the two nations.
Flashpoint 1 Cross-stitch and others 268mm x 262mm 2025
Flashpoint 2 Gouache on graph paper sheets sewn together 555mm x 555mm 2025
In Memory Of All The Noise Ink, thread & paper on cotton 560mm x 396mm 2025
Passed, which takes its name from a one word sentence in James Joyce’s Ulysses, looks at fluidity, transience and memory in a modern, capitalist society.
To quote Karl Marx, “All that is solid melts into air” and here the focus of that flux is on closed down shops and businesses, the residue of 21st Century consumerism. A walk along today’s High Street provides an encounter with the ghost images of the past, the remnants of what happens when retail fails to keep up with the demands of capitalism.
The businesses themselves may have closed long ago, but their afterimages live on in full public view, a sombre reminder that Omnia Transit (Everything Passes).
Prime Retail Cross-stitch and others 270mm x 322mm 2022
Mono Ex-Retail
Six works based on original photographs taken through the front windows of closed down shops and businesses, as found at various locations. Each a memento mori to the death of retail.
Cogita Mori (Remember Death) Cross-stitch and others 727mm x 1170mm 2022
Nil Omne (All Is Nothing) Cross-stitch and others 727mm x 1170mm 2022
Animam Agere (To Have One’s Last Breath) Cross-stitch and others 727mm x 1170mm 2022
Mortem Obire (To Face Death) Cross-stitch and others 727mm x 1170mm 2022
Respice Finem (Consider The End) Cross-stitch and others 727mm x 1170mm 2022
Omnia Transit (Everything Passes) Cross-stitch and others 727mm x 1170mm 2022
Four Shrines
Four small shrines, each dedicated to a closed down business, photographed and given its own hand sewn Latin reminder.
Mors Immature (An Untimely Death) Mixed Media 360mm x 260mm x 38mm 2023
Extremum Vitae Spiritum Edere (To Give Up The Ghost) Mixed Media 360mm x 260mm x 38mm 2023
Pulvis Et Umbra Sumus (We Are But Dust And Shadow) Mixed Media 360mm x 260mm x 38mm 2023
Mors Vincit Omnia (Death Conquers All) Mixed Media 360mm x 260mm x 38mm 2023
Requiescat In Pace
Ten bags representing closed down Dublin shops and businesses as mentioned in the works of James Joyce.
Gouache, Letraset and thread on brown paper bags Each bag 170mm x 230mm 2023
Four embroidered works based on photographs of homes in the process of being demolished.
“…nor the charm of naked walls with their flowered papers and their shadows of mantlepieces in apartment houses under demolition” André Breton Nadja (1928)
Previous Dwelling 1 Embroidered canvas 190mm x 270mm 2021
Previous Dwelling 2 Embroidered canvas 300mm x 220mm 2021
Previous Dwelling 3 Embroidered canvas 240mm x 280mm 2021
Previous Dwelling 4 Embroidered canvas 200mm x 290mm 2022
A series of works inspired by aerial views of housing estates, retail parks, flightpaths and car parks as found on the edges of towns and cities. A potentially bland subject matter is bought to life using threads based on the six colours of the Hexachrome colour scheme.
Crescent Cross-stitch 534mm x 395mm 2019
Closes Cross-stitch 635mm x 605mm 2019
Cul-de-sac Cross-stitch 602mm x 642mm 2019
Gardens Cross-stitch 522mm x 472mm 2019
The Seven Circles of Sprawl Cross-stitch 609mm x 641mm 2019
New Builds with Parking Cross-stitch 198mm x 206mm 2019
Hexa Bunga Six bungalow floor plans Gouache and pen on paper Each 300mm x 300mm 2019
Hyper Retail 1 Cross-stitch 560mm x 526mm 2019
Hyper Retail 2 Cross-stitch 468mm x 562mm 2019
Flightpath Cross-stitch 553mm x 558mm 2020
Sprawl Registers Cross-stitch 716mm x 695mm 2020
Long Stay Cross-stitch 685mm x 670mm 2020
Short Stay Cross-stitch 485mm x 745mm 2020
Greenery Cross-stitch 712mm x 568mm 2020
16 Garage Floor Plans Cross-stitch 668mm x 472mm 2020
Town Planning Back stitch on cotton Each 200mm x 200mm 2021
Reproduction of lucky charm intended to fortify the body against infection during the 1665 London plague, as described in Daniel Defoe’s ‘A Journal of the Plague Year’.